I wonder if I can "snap to region start" just after its done the trim to line it up?Īnd auto-xfade-looping in Samplit/SRobot I heard wasn't 100% reliable and you have to manually look at it anyway(?) There is an auto-trim action in Reaper actually. I guess I'm trying to avoid awkward, time-consuming steps in Kontakt basically (if there are any).
Is it a pain, or is that a nice thing to have done automatically by Samplit or SampleRobot?
SOUNDLAB SAMPLIT HOW TO
I'm unfamiliar with the inner workings of Kontakt so I don't know how to create velocity layers. Automatically create velocity layers, and then auto export these to Kontakt.Auto-loop the sample (if its a pad for example).What I am looking for though is something that will speed up my workflow. I guess I could create a template with one track which prompts me to play a note on my acoustic instrument, and another track to record it, dividing that track for a region-export. The most mundane and time consuming part of all this was just playing the samples.Ĭlick to expand.Actually I do have Reaper and am quite familiar with it. When that was done, the samples were all done and ready to save, which I didn't do until I had all the samples recorded for each string. Then I had other actions set up to help edit the end of the samples. It took 5 to 10 seconds to edit the front of all 4 samples. From there I used a shortcut key to split and delete the left part of the sample and then move to 10ms ahead of the next sample's transient. Then I had a toolbar action that moved all 4 samples to just after the last 4 samples, add a marker and set every thing up for editing the front of the 1st sample by placing the cursor 10ms ahead of the transient of the 1st sample. This went on for all 4 samples and at the end of the 4th sample an action marker turned record off, colored the last sample, then moved the edit cursor to the 1st sample and selected it. This time at the end of the count-in, the action marker turned record on, and also colored the prior sample to a selected color, then again recorded for 20 seconds. I had it set up so that I could hit play, get a count-in to the 1st sample, where an action marker turned record on just before I played the 1st note for 20 seconds.Īfter 20 seconds another action marker turn record off, and another count-in started for the 2nd note. I recently recorded pedal steel guitar samples and I recorded 4 variations of each note. However, I believe all those things can be done, just not in the order or way you might think.
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